Lyrics

[admin]

Hi Jay

You have not given the correct artist number. should be something like: www.songbay.co/artist/ (then your number)
It is the page where all your work is published on Songbay

[admin]

admin wrote:

Hi Jay

You have not given the correct artist number. should be something like: www.songbay.co/artist/ (then your number)
It is the page where all your work is published on Songbay

Thanks guys..all fixed

[admin]

Thanks . This will be useful for our users

[admin]

Hi Everyone
 I’m Jay from Australia and i have been on Songbay for a while now and am lucky to have one song licensed so far. I enjoy writing, not just lyrics but poems, stories etc. If you would like to check out my lyrics, you will find them here…. http://songbay.co/artists/5357/ .  I would love to hear your thoughts on my work. Cheers. And i like to challenge myself so…. quick freestyle….

writing my thoughts down on paper
weighing them down with my issues
don’t have no need for this caper
but it’s love so where are all those tissues

give me a quick piece of time
and you’ll get a big piece of my heart
i’ll try to make it all rhyme
but if i don’t please don’t tear me a new one

( or please don’t tear me apart might fit better) lol

Hope to hear from you all
Thanks everyone

[admin]

[size=x-large][font=Arial, sans-serif]About the job[/font][/size]
[size=medium]We are seeking a skilled, engaging and organized Vocal Coach/Accompanist to join our musical theater faculty beginning Fall 2016. This is a part-time staff position.

Job responsibilities include providing vocal coaching covering repertoire from voice lessons and performance classes to Musical Theater majors, accompanying Musical Theater Performance courses and supporting the development of aspiring young performers.

The successful candidate should be a skilled pianist with a degree in music, musical theater or its equivalent, and possess the technical knowledge and pedagogical skill to train students in the musical styles and periods related to Musical Theater. Candidates with a Master’s degree and experience teaching at the University level are preferred however candidates with a Bachelor’s degree in Piano, Voice or Musical Theater will be considered. Experience in musical direction is a plus.

TO APPLY: Interested qualified applicants should submit a cover letter, resume, and three references.[/size]
[size=x-large][font=Arial, sans-serif]More about the company[/font][/size]
[size=medium]For more than 130 years, we have defined creativity. The University of the Arts in Philadelphia is one of the only universities in the United States solely dedicated to educating creative individuals in the visual and performing arts and design. Our 2,100 undergraduate and graduate students and 500 faculty members are passionate about what they do, and in the process, are redefining the way we think, teach and create.[/size]
[size=large][font=Arial, sans-serif]Contact information[/font][/size]
[size=medium][font=inherit, serif][font=Arial, sans-serif]http://www.uarts.edu[/font][/font][/size]
[size=medium]320 South Broad Street

Philadelphia, PA 19102
Pennsylvania[/size]

[admin]

[size=x-large][font=Arial, sans-serif]About the job[/font][/size]
[size=medium]We are looking for a passionate and experienced game Sound Designer to help create a fresh new experience for our next project. You will be involved in virtually every aspect of game audio content development alongside one of the most passionate and experienced audio teams in the industry. 

Duties and Responsibilities:

Create original sound effects
Create original song loops for games
Follow an asset list and design the best ways to achieve those types of sounds
Interactive and linear sound effects design.
Real-time audio scripting.
Audio asset implementation.
Mixing & mastering.
Field recording.
Dialog processing.
Music editing.
Audio tools & run-time systems design collaboration

Requirements: 
• Demonstrated creative and technical achievements in sound design.
•Fluency in game audio implementation systems.
• Experience in game audio scripting or other relevant programming environments. 
• Understanding of PS4, XBOX One, and PC audio functionality, capabilities, and limitations.
• Experience with major digital audio workstations, and power-user of at least one. 
• Solid understanding of technical audio theory and audio engineering. 
• Excellent interpersonal communication skills. 
• Exceptional organization skills.

Nice to haves: 
• FPS/Multi-player experience a plus. 
• Experience with Radiant game development software a plus. 

Education: 
• College degree preferred. 
• Continuing Education Certificate, Professional or advanced degree in audio engineering, music, or similar preferred[/size]
[size=large][font=Arial, sans-serif]Contact information[/font][/size]
[size=medium][font=inherit, serif][font=Arial, sans-serif]http://transmosis.com/[/font][/font][/size]
[size=medium]4816 N 72nd Way

Scottsdale, AZ 85261
Arizona[/size]

[admin]

[size=x-large]About the job[/size]
[size=medium][font=Merriweather, serif]Currently seeking a Composer to join our team at our theatre! Will be required to write the music (lyrics provided) in accordance with our Music Director for our all-new, original, Biblical epic premiering in 2017! 

Please submit Resume, Cover Letter, and References.

SHOW INFORMATION:
-Music should have a “biblical-aged” yet “show-stopping/epic” feel to it.
-Show premiering in 2017.
-Show Length: 1 to 2 hours with one 15 Minute Intermission.
-This project DOES NOT involve script writing. A copy of the completed script, cast of characters, lyrics to songs, and more will be given to you to compose music and underscores for the show.
-Previous Experience preferred, but not required.
-Music for the show “Theme Song” should be completed BEFORE AUGUST of 2016 for a special Live Show Announcement Event.
-Show Title and Synopsis will be released to interested candidates.
-Interested Candidates shall agree with our Purpose and Mission Statement and shall also be knowledgeable with the Bible as well as Christian Faith.[/font][/size]

[size=x-large]More about the company[/size]
[size=medium][font=Merriweather, serif]Our name the “Message Theatre” is inspired from the many “messages” found all through-out the scriptures. The Bible is filled with so many inspirational messages and stories of Hope, Trust, Love, and Faith in our Lord and Savior Jesus Christ. It is our desire to bring those scriptures to life, for you can read more about Our Mission below.

Contact Details:

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[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]http://themessagetheatre.wix.com/home[/font][/size][/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]Orwigsburg, PA 
Pennsylvania[/font][/size]

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[admin]

[size=x-large]About the job[/size]

[size=medium][font=Merriweather, serif]We announce auditions for the following vacancy:

Principal Cello

effective the 2017-2018 Season or earliest availability

International auditions for Principal Cello will be held in Ottawa October 8-11, 2016.
Runner-up candidate(s) may be offered another vacant position that has been advertised.

Season: 46 weeks including concerts, broadcasts, opera, ballet, recordings, tours and 5 weeks paid vacation

Salary: Minimum scale, 2015-2016: $1,915 per week (salary for this position to be negotiated)

The members of the orchestra are Canadian members of the American Federation of Musicians.

Highly qualified applicants are asked to send a ONE PAGE resume to be received no later than September 1, 2016.[/font][/size]
[size=medium][font=Merriweather, serif][size=large]Contact information[/size]
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[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]http://www.nac-cna.ca[/font][/size][/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]53 Elgin Street, at Confederation Square 

Ottawa, Ontario K1P 5W1[/font][/size]

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[admin]

[size=x-large]About the job[/size]

[size=medium][font=Merriweather, serif]One of New York’s leading Off-Broadway theatres seeks an Assistant to the Artistic Director to provide administrative support for our incoming Artistic Director.

Responsibilities include answering phones, managing the Artistic Director’s schedule and correspondence, including drafting letters and emails and maintaining the inbox, coordinating travel, tracking action items and follow-up, tracking and coding expenses, managing the Artistic Director’s archives and files, updating the bio and resume of the Artistic Director as needed, drafting updates for board meeting presentations, assisting in the preparation for other presentations and speaking engagements, assisting with ticketing requests for Artistic Director and other artistic guests, acting as a liaison between the Artistic Director and artists, and acting as a liaison between the Artistic Director and other staff. While this position is focused on administrative duties, there is room for growth for the right candidate. This position will also provide some general assistance for the Associate Artistic Director. 

This position requires candidates to possess the following: 
• Strong phone, computer, and writing skills 
• Experience working in artistic administration, with major stakeholders 
• Professional demeanor; able to work and collaborate with a diverse range of people, including the ability to be an ambassador for the Artistic Director and the organization 
• Exemplary organizational skills with proficiency in multi-tasking and a dedication to details and follow-up 
• Positive, self-starter attitude; able to anticipate the next step and/or question

This is a full-time position. Salary is commensurate with experience, and benefits include Health, Dental, Vision, FSA and 401(k) plans.

Please email cover letter and resume with references in a single PDF document. Please put ‘Artistic Assistant’ in the subject line. E.O.E. No phone calls please.[/font][/size]
[size=medium][font=Merriweather, serif][size=large]Contact information[/size]
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[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]http://www.signaturetheatre.org/[/font][/size][/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]480 West 42nd Street

New York, NY 10036
New York[/font][/size][/font][/size]

[admin]

[size=x-large]About the job[/size]
[size=medium][font=Merriweather, serif]We seek a creative, part-time (20 hours per week) Marketing Coordinator to be part of our administrative team, coordinating all promotional activities, including our social media, website, newsletter and tour support.

Qualifications include excellent writing and organizational skills, an ability to take initiative and manage multiple tasks with a familiarity with Facebook, Instagram, Twitter, Constant Contact and Microsoft Office. Knowledge of Final Cut Pro and graphic design software a plus. 

Salary is commensurate with experience. EOE. 

Send cover letter, resume, and professional references.[/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]ATTN: Barbara Dufty, Executive Director[/font][/size][/font][/size]
[size=x-large]More about the company[/size]
[size=medium][font=Merriweather, serif]Trisha Brown Dance Company has presented the work of its legendary artistic director for 40 years. Founded in 1970 when Trisha Brown branched out from the experimental Judson Dance Theater to work with her own group of dancers, TBDC offered its first performances at alternative sites in Manhattan’s SoHo. Today, the Company is regularly seen in the landmark opera houses of New York, Paris, London, and many other theaters around the world. The repertory has grown from solos and small group pieces to include major evening-length works and collaborations between Ms. Brown and renowned visual artists.

In 1998, TBDC co-produced Ms. Brown’s first opera, Montiverdi’s Orfeo, in partnership with Belgium’s national opera house, La Monnaie. The opera toured to several major European sites, received its New York premiere in 1999, and was revived at La Monnaie in May 2002 and again in July 2007 at Festival d’Aix. The Company also participated in a production of Luci Mie Traditrici, composed by Salvatore Sciarrino, seen at La Monnaie and the Lincoln Center Festival 2001. TBDC joined forces with Lincoln Center again in December 2002 to present Winterreise, featuring Company dancers and Simon Keenlyside singing the Franz Schubert song-cycle. In 2006, Ms. Brown revisited the music of Salvatore Sciarrino, directing Da Gelo a Gelo for the Schwetzingen Festival.

In addition to the fields of dance and opera, Trisha Brown is a prolific visual artist. Her drawings have been featured in both domestic and international exhibitions, including White Cube in London and Documenta 12 in Kassel, Germany. In 2007-2008, the Walker Art Center in Minneapolis presented The Year of Trisha, seamlessly melding her visual artwork with dance. The year of events featured Ms. Brown’s works on paper in an exhibit titled, Trisha Brown: So That the Audience Does Not Know Whether I have Stopped Dancing. The year included performances of Set and Reset Reset, a restaging project with University of Minnesota dance students, followed by TBDC repertory performances and lectures, culminating in an afternoon of Early Works outdoor performances in the Walker’s sculpture garden that were originally performed in Minneapolis’ Loring Park in the early 1970’s. The Early Works program then traveled to Paris at the Louvre’s Tuileries Gardens. Through these unique experiences, Ms. Brown continues to permeate artistic barriers, proving that she is truly a poly-disciplinary artist. 

The Company of eight dancers performs in New York and tours worldwide each year, offering unique and inspiring performances each season. Every theater offers the chance to introduce Trisha Brown’s work to local audiences in tailored packages that can include master classes, lectures, and informal demonstrations that enhance the Company performances, and outreach programs that help performing arts centers form links with community groups. Classes for elementary and secondary school students offer a hands-on experience of Ms. Brown’s process, de-mystifying the world of postmodern art. 

From 2001-2008, the TBDC operated out of a 16,000 square foot space on West 55th Street in Manhattan that contained four large studios and office space. During this time, the Company offered its FOUNDSpace program which, with the support of the New York State Council on the Arts, offered subsidized rehearsal rates to hundreds of non-profit dance organizations. The four studios at the space also played home to all Company rehearsals and weekly, open technique classes on the Trisha Brown style and repertory, as well as intensives and weekend workshops. 

TBDC also maintains an outstanding Education Program, providing aspiring dancers and young professionals with training in postmodern dance. The Education Program offers classes in technique, repertory, and improvisation, as well as workshops with world-renowned guest artists, as well as fosters the preservation of TBDC’s repertory through restaging projects with Lyon Opera Ballet and Paris Opera Ballet along with universities including Belgium’s professional training program P.A.R.T.S., London Contemporary Dance School, Mills College, University of Illinois-Urbana-Champaign, and New York University.[/font][/size]
[size=medium][font=Merriweather, serif][size=large]Contact information[/size]
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[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]http://www.trishabrowncompany.org/[/font][/size][/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]341 W 38th St, Ste 801

New York, New York 10018
New York[/font][/size]

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[admin]

[size=x-large]About the job[/size]

[size=medium][font=Merriweather, serif]We invite nominations and applications for the position of Assistant Chair of the Film Scoring Department.

Reporting to the Chair of the Film Scoring Department, the Assistant Chair works with the Chair on all aspects of the academic, administrative, and managerial leadership of the department. The next Assistant Chair of Film Scoring will work with the Chair to build on the 35-year legacy of the department, which was the first in the world to offer an undergraduate degree in Film Scoring, and which now also offers a unique Minor course of study in Video Game Scoring.

The Assistant Chair will be a future-oriented music professional, educator, and team player. The successful candidate will be an individual who embraces diversity in individuals, perspectives, and musical styles. The Assistant Chair must have the managerial and organizational skills and political acumen to navigate in a complex academic setting and to build relationships with partners inside the organization, as well as locally, nationally, and internationally. 

The ideal candidate will be dedicated to the aesthetic traditions and innovative technical advances in contemporary scoring in various media genres, will have a demonstrated appreciation of all styles of contemporary music and current musical trends, will have outstanding communication, interpersonal, and consensus-building skills, and will enjoy working collaboratively and collegially with a wide variety of constituents. A commitment to the experience of students is essential. 

Responsibilities

Assisting the Chair with a variety of administrative and management duties, including (but not restricted to):
Review, development, and oversight of curriculum
Departmental course and recording session scheduling
Hiring and mentoring of faculty and staff
Student advising
Prospective student advising and recruitment
Management of department budget and facilities
Management of department clinics and visiting artists
Service on college-wide, divisional, and/or departmental committees
Teaching (typically 1-2 courses per semester)

Qualifications

Master’s degree or equivalent professional experience 
Substantial experience as an active composer, music editor, orchestrator or music executive in the field(s) of film, television, and/or video game music
Teaching and/or administrative experience, preferably in a college setting
Thorough knowledge of current practices and technological advances in the field
Strong interpersonal, communication, and organizational skills
Effective administrative skills, including the ability to prioritize multiple responsibilities and set and meet deadlines
Interest in working in a diverse workplace with a multicultural student body
Experience in managing in a faculty union environment is preferable

The start date for the position is September 1, 2017 (or sooner, pending availability of the selected candidate). This is a twelve-month position. Initial appointment is for three years. Incomplete applications will not be considered. The position will remain open for applications until filled.[/font][/size]

[size=medium][font=Merriweather, serif][size=large]Contact information[/size]
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[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]http://www.berklee.edu[/font][/size][/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]1140 Boylston Street, MS-855 HR

Boston 02215-3693
MA[/font][/size][/font][/size]

[admin]

[size=x-large]About the job[/size]

[size=medium][font=Merriweather, serif]This salaried, part-time adjunct faculty position provides collaborative piano support to vocal majors in the School. Pianists would be required to accompany a combination of choral groups, opera theatre, and freshman voice class, while also performing with students for studio classes, master classes, performances, competitions, and juries. Some evening or weekend work will be necessary.

ESSENTIAL FUNCTIONS

1. Rehearse and perform with students for lessons, performances, studio classes, master classes, competitions, and juries (vocal and instrumental assignments as needed)
2. Accompany opera rehearsals and performances
3. Accompany daily vocal ensemble rehearsals and performances
4. Accompany for Freshman Voice Class
5. Accompany for auditions as requested

REQUIRED SKILLS

1. Have experience performing traditional and contemporary vocal repertoire, including musical theatre
2. Sight-read and learn quickly (including open choral and operatic scores)
3. Have an awareness of stylistic concerns throughout the vocal / instrumental repertoire
4. Guide musical decisions through references to musical devices, such as text, phrase, pitch, register, etc.
5. Communicate with faculty, supervisors, staff, and students
6. Coordinate schedule daily and weekly throughout the semester

Required Job Qualifications

BM/BA in Piano Performance with evidence of accompanying experience (at least 3 years)
OR
BM/BA in Collaborative Piano with evidence of accompanying experience (at least 3 years)

Preferred Job Qualifications

MM/MA in Collaborative Piano
OR
MM/MA in Piano Performance with evidence of accompanying experience

To ensure full consideration, applications must be received by 11:59pm (MT) on 07/17/2016[/font][/size]

[size=medium][font=Merriweather, serif][size=large]Contact information[/size]
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[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]http://www.colostate.edu[/font][/size][/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]Fort Collins 80523 
Colorado[/font][/size]

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[admin]

[size=x-large]About The Job[/size]
[size=medium][font=Merriweather, serif]Looking for keys player for a 1 Med month cruise from 02/08/16 – 05/09/16. 

More details to follow to those who are available. 

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[size=x-large]More about the company[/size]
[size=medium][font=Merriweather, serif]A 2-10 piece party band supplying the United Kingdom with pop funk and soul classics from the 60s through to the current top 40[/font][/size]

[size=medium][font=Merriweather, serif][size=large]Contact Information[/size]
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[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]http://www.thesupremecollective.co.uk/[/font][/size][/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]46 Beaufort Court
49 Lillie Rd
London SW6 1UA[/font][/size]
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[admin]

[size=x-large]About the job[/size]
[size=medium][font=Merriweather, serif]VIOLIN I OR II 

Saturday, September 24, 2016 
Check in 9:00 AM to approximately 1:30 PM

Deadline to apply:
September 22, 2015 5:00 PM

Winning candidates are expected to commit to at least 4 of the 5 scheduled performances. For the complete
rehearsal, sound check, concert schedule scroll to the bottom of this page and click on the Clef mark. This is a
per-service orchestra and the pay scale for 2016-2017 is as follows:

Section Player

Rehearsal Pay $51
Sound Check Pay $26
Concert Pay $66
Typical Cycle Pay for Section:* $245

Full details and how to apply in the restricted info section of this advert.[/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]The West Valley Symphony conducts auditions in the following manner:

 Candidates are required to sign in at the audition site one half hour prior to when the
audition is to begin. The audition steward will be there to sign in all the candidates.
 Fifteen minutes before the audition starts, the audition committee will give the
candidates the first round of excerpts to be played.
 The candidates will draw numbers from a hat or basket to determine the order in which
each candidate will appear before the audition committee.
 Warm up is allowed in the reception area where the candidates sign in or in the private
practice rooms available. Those closest to playing their respective auditions will be given
precedence in the use of the private rooms.
 At the appropriate moment, each candidate will be escorted by the audition steward from
the warm up area to the audition room.
 To preserve anonymity, all candidates will play behind a screen and soft soled shoes must
be worn by all candidates.
 Instruments must be tuned before entering the audition room.
 The candidates will play only the excerpts selected by the audition committee and in the
given order.
 Only Mr. Kellogg, the Music Director, and the audition steward are allowed to talk in the
audition room. If the candidate is not certain about any part of the process, he or she must
speak to the audition steward outside the audition area.
 It is possible that more than one round may be necessary to declare a winner.
Therefore all candidates must wait to be dismissed from the audition site by the
audition steward.
 Sight reading may be used to break a tie.
 Winning candidates will be announced immediately following the audition. Candidates will
have checked the WVS web site in advance of the audition for concert dates and will know
whether or not they can commit to at least four of the five concert programs to be
presented by the WVS during the 2016-2017 season.[/font][/size][/font][/size]

[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif][size=large]Contact information[/size]
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[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]http://westvalleysymphony.org/[/font][/size][/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]15550 N Parkview Pl

Surprise, Arizona 85374
Arizona[/font][/size]

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[admin]

[size=x-large]About the job[/size]
[size=medium][font=Merriweather, serif]Lecturer or Senior Lecturer of Music (Collaborative Pianist). 

Accompany choral ensembles and opera/music theatre in all rehearsals and performances. Accompany students in general departmental recitals (not degree recitals), competitions such as NATS and/or NOA, and performance videos for applied voice course. Collaborate with faculty in 1 to 2 faculty recitals each semester. Position is 50% time with benefits, beginning August 29, 2016.

Requirements: Master of Music degree in Piano or Collaborative Piano or equivalent, significant experience as a collaborative pianist and performer, excellent sight-reading and open-score reading skills, expertise in playing a wide variety of musical styles, flexibility in following directors, demonstrated ability and interest in working in a collegial and mutually supportive environment.

Start date: August 29, 2016.

Application Procedure: Please send a letter of interest, current curriculum vita, a list of 3-5 current references, and a list of representative performance links including accompanying/collaborative performances. Video recordings preferred but audio is also acceptable. Electronic submissions preferred.

Deadline: Until filled. Review of applications begins immediately.

The successful applicant must be able to demonstrate eligibility to work in the United States. This position is security-sensitive and subject to Texas Education Code Section 51.215, which authorizes the employer to obtain criminal history record information.

Women and minorities strongly encouraged to apply. EOE.[/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]ATTN: Dr. Sooah Park, chair of search committee[/font][/size][/font][/size]

[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif][size=large]Contact information[/size]
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[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]http://uttyler.edu[/font][/size][/font][/size]
[size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif][size=medium][font=Merriweather, serif]3900 University Blvd.

Tyler 75799
Texas[/font][/size]

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[Author]

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